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King's Cross is London's new center of cool Why

 
"After a lot of soul searching and honest reflection, I know that I am not yet ready to play on the PGA Tour or compete in Turkey," former world No. 1 Woods said in a statement on his website.
"My health is good, and I feel strong, but my game is vulnerable and not where it needs to be. When I announced last week I was going to Safeway, I had every intention of playing, or I wouldn't have committed."
After announcing last week he would make his comeback at the Safeway Open this Thursday, Woods revealed Monday that he is pulling out of the PGA Tour tournament in California and next month's Turkish 
"I spent a week with the US Ryder Cup Team, an honor and experience that inspired me even more to play," said Woods, who had been due to play alongside two-time NBA MV Steph Curry at a golf pro-am in Napa on Wednesday.
"I practiced the last several days in California, but after a lot of hours, I knew I wasn't ready to compete against the best golfers in the world.
"This isn't what I wanted to happen, but I will continue to strive to be able to play tournament golf. I'm close, and I won't stop until I get there."
 The 40-year-old has not won a PGA Tour event since the World Golf Championships-Bridgestone Invitational in August 2013, but is striving to add to his total of 79 titles and close in on Sam Snead's all-time record of 82.
 I remember the first time I consciously went to King's Cross, on the northeastern edge of central London, and by "consciously," I mean in the first sweaty bloom of swaggering adolescence, up for life and mouth wide open to suck up the big city.
My friend John and I had traveled in by Tube from our natal homes in the north London 'burbs; we had £9 in cash between us and we were wired on amphetamine "blues"-- speed pills that, at four for £1, were attractively priced for teenaged punk rockers in the late 1970s. We were en route to Jock's Tattoo Parlour, and perhaps this fact alone -- that we had to journey across town to be inkily inscribed -- serves to separate that era from this one, when no gentrifying London neighborhood is complete without its own 
 
body-modification salon and most of the city's inhabitants resemble Maori warriors going into battle.
Jock's was a malodorous little nook on the scabrous section of the Pentonville Road that runs east from King's Cross station. I say "runs," because whatever the evolutionary end point of the massive redevelopment currently under way in King's Cross, I doubt the thick miasma of debauchery and desuetude that hangs over this dingy dell will ever be dispelled.
In 1977 the road was dominated by the strange Victorian turret of the Lighthouse Building and the Scala Cinema's lone cupola -- both structures that remain in place today. John and I breasted the crowds of office workers, warily eyed skulking prostitutes and drug dealers, then dived into Jock's and stood there, quaking, in the gloomy cigarette-stunk interior.
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